02 May 2007

'Inland Empire': er...

Went to see David Lynch's latest effort, Inland Empire, last night, at just about the only London cinema that was still showing it. (It's been out for a long time but it takes me a while to get my act together to go to the cinema these days.)

It was great, but I'm not really sure why. Lynch's stuff has been getting progressively weirder and harder to follow for some time now. Lost Highway (1997) centred around a bizarre incident where the main protagonist became someone completely different about half way through and then switched back again at the end, plus a really scary guy who was able to break into your house and talk to you at a party at the same time.

Mulholland Drive (2001) had a reasonably coherent storyline for about the first two-thirds of the movie, then got extremely confusing in the last part, as the main character's names switched round. It was kind of like the first part of the movie was nested within the second part. Or something. There was also a scary guy in a back yard behind a diner with a blue box (not Doctor Who, though) and various other strangeness featuring Michael J Anderson who played the 'little man from another place' in Twin Peaks.

Inland Empire has some similarities to Mulholland Drive in that it's once again set in Hollywood and features an actress (this time Laura Dern). Justin Theroux, who was in Mulholland Drive, is in this one as well, although sadly he's minus the glasses which made him look a bit like my mate Foley last time. And Jeremy Irons is in there as well, playing a British film director. However this time round the ratio of 'normal' to 'weird' material, which was running at about 70:30 in Mulholland Drive, is now switched round - or maybe even further. I couldn't make head nor tail of more than about 20% of the film in plot terms. There's no point putting a warning about plot spoilers in a review like this (can this be considered a review?) as I couldn't fathom the plot, so it would be hard to spoil it. All I will say is: watch out for the human rabbits in their sitcom. There must be some significance there. And the match between the pattern on Laura Dern's dress and the carpet when she first enters the house with the orange front room.

Anyway I thought it was great, and the acting, soundtrack and camerawork were absolutely superb. I particularly like the 'shove the camera in people's face' style of dialogue shots that Lynch is going for on this one. It's quite possible he may have been influenced by Peep Show in his camera style. But it would be hard to get a lot more weird than this without viewers simply giving up, apart from the hard core who think the guy's a genius no matter what he does - or even if he does nothing. Maybe I'm one of those people, indeed. The film comes out on DVD in July and it may be an easier watch on that format as 3 hours on a cinema seat is a hard sell for anyone these days.

I wanted to sign off with a snappy bit of dialogue from the film but I can't remember any of it. Only the woman who played Sarah Palmer in Twin Peaks talking about a "f***ing brutal murder" at the start. That was good. The best bit of swearing in a film since the guy trying to buy a car off William H Macy called him "a f***ing liar" in Fargo. He had a bit part in Inland Empire as well (I mean William H Macy, not the guy who called him a liar.)

Best bit from the Wikipedia entry on the movie:

Lynch attempted to promote Dern's chances of an Academy Award for Best Actress nomination at the 2007 Academy Awards by campaigning with a live cow. Ultimately, she was not nominated for the award.

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